Summer 2018 upper back

While riding, have you ever been instructed to sit upright, draw your shoulders back, stop rounding, etc…?  Some of us drop our heads to watch our horses’ heads and necks, some have tightness in the shoulders that has built up over time or due to injury, some suffer from a lack of confidence, and some women have unconsciously been hiding their chests since puberty.

For dressage riders, learning how to extend and lift the upper spine without tightening the lower back is especially important. We want to be able to sit elegantly and effectively on our horses while following their movements with suppleness, ease, and feel. “Sit like a queen” is often my mantra! 🙂

Even those of us who don’t suffer from actual kyphosis, or a chronically rounded upper spine, may find ourselves moving through the day in a less-than-optimal posture, often due to lifestyle, e.g., sitting by a computer and looking down at the keyboard and/or screen, and the structures around us, e.g., car bucket seats. The upper spine tends to get “locked long,” with the shoulders drawing forward, and the collar bones and sternum caving in and down. The good news is that, almost always, we can undo this limiting posture by making a conscious effort to undo the soft-tissue patterns that hold us in it. Read on about what you can do in your home practice to continue this work, which, of necessity, also involves opening the shoulders (password for this post: “knots”).

Warm up with a cat/cow sequence, then lie down over a bolster at your mid-spine, with the armpits just clearing the bolster, and arms wide (“cactus arms”). Placing the block under your head may be useful as you initially allow the back to release. Thursday practitioners can add  “back-bending arms” – remember not to allow the elbows to splay out.

Lift your hips to initially place the arms into position, then slowly lower the hips. Take care to allow the upper spine to extend, rather than doing the work with the lower back.

Next, take half-dog pose, with the option of keeping the crown of the head on the ground (Thursday practitioners) while lifting into the pose. Note that the arm alignment is absolutely vital here, with the elbows no wider than shoulder width apart – almost all of you can hedge your bets and place the elbows no wider than the block (see photo below). The earlier blog post, half-dog and variations, has details about this asana, and is a great place to start for those of you new to this practice.

Details of correct and incorrect arm alignment for half dog. Upper left photo shows middle finger in line with middle of elbow. Upper right photo shows practitioner holding onto block, while lower two photos show elbows too wide (lower left0 and wrists coming in (lower right).
Remember parallel alignment of your lower arms, pressing down on inner wrists, and drawing lowest ribs in towards each other.

Move onto our child’s-pose-to-cobra dynamic vinyasa. Starting with arms wide on the mat while in child’s pose, remember to externally rotate your upper arms and to “suck” them back into their sockets. Exhale while coming into cat pose (arms are a little more forward than we would usually have them in cat pose), then inhale as you come into a cobra. Reverse the movement to get back to child’s pose, and repeat 3 or more times, feeling the spine becoming more supple and snake-like with each repetition.

Keep elbows bent back (not out to sides) if keeping arms straight irritates your lower back.

Lie down on your back, and place a block under your sacrum, clasping the hands if you can reach beyond the block.

Block under hips, arms clasped: place block under sacrum, and relax hips completely. Interlace your fingers beyond block if you can reach. Lift sternum (breastbone) up. Make sure your feet and knees are no wider than hip width apart.

If you’d like to extend the spine and chest more, rotate your arms out and take hold of your ankles from the inside.

Turn your arms into external rotation, as shown in photo – start with thumb up and then rotate it away from body towards floor.
With both arms externally rotating, hold ankles from inside. This may or may not be available to you, so don’t struggle – simply try one hand at a time, and eventually your spine will extend enough to allow for this asana.

Thursday practitioners: take the ustrasana, or camel pose, dynamic variation from child’s pose to camel pose and back. Remember that we continue to hold the heels throughout the movement between postures – you could think of this as the pose above (sacrum on block, hands holding insides of ankles), except with a different relationship to gravity. Take care not to rush into this variation, as the lower back will again try take over the work of the upper spine if the latter is not ready to unlock just yet, causing irritation and even pain in the lower back. Be patient and disciplined in your practice, and all will come 🙂 .

Keep knees, lower leg and feet parallel and hip width apart during this dynamic set of poses.

Thursday practitioners: Securely lean two blocks against the baseboard of a wall. Place head between blocks, feet hip width apart, lift heels, push hands into blocks, and lift sternum up and towards wall; hips will follow and you will find yourselves in urdhva dhanurasana, or a backbend!

Be sure that elbows do not flare out to sides. If lower back feels good, you can place heels down.

Thursday practitioners: if the backbend on the blocks was comfortable, you can take the same pose on the ground. Same principles of alignment apply as for the pose on the blocks. If, and only if, you are very stable in your arms and have no neck issues, you may push into the backbend with the intermediate step of pausing on the crown of the head, then with a second breath pushing into the full pose. If that is not the case, then please don’t attempt the pose on the ground just yet.

Full backbend with intermediate step and breath on crown of head. Be sure to use your core and relax your glutes.

End the practice with some easy forward folds and twists to undo all of the spinal extension work, and then enjoy a well-deserved savasana!

Happy heart-opening!

~namaste,

Sylvia

Summer 2018 Shoulders

Most of us have days when we feel the tension gather in our shoulders. It’s a very normal reaction that, unfortunately, never really switches off in our current culture, unless we actively do something to release it. The practices from this week do just that. Keep in mind that the shoulder is a shallow ball and socket joint, hence be very mindful and careful when increasing your range of motion here, so that you do not overdo things and cause injury.

Constructive rest, arm under lower back: Slide the lower arm under the back until your fingers are peeking out on the other side of the torso. Use your breath to create space at the shoulder socket and upper arm. Press the arm out and down gently with the exhale, relax on the inhale. Keep the lower back relaxed. Imagine the shoulder blade flattening against the back. Remain here ~5+ minutes on each arm. Should you feel pins and needles at any point, pull the arm out and move it around, as this means there is a picking of nerves or blood vessels. You can then try again, and might be able to stay longer a second, third, or fourth time around.

There might not be much movement during this asana – gravity does most of the work, as does intention. .

Large arm rotations: Stand with feet hip width apart. Reach the arm in a semi-circle forward and up on inhale, back and down on the exhale. Repeat 5 or more times in each side to warm up the shoulder joints.

Keep your eyes on your fingertips as you move.

Garudasana arms: This asana lengthens the muscles in the upper back, between and under the shoulder blades. Follow the preparatory poses below from upper left -> upper right -> to lower right. Use the belt if need be (lower left).

Cross the arms at the elbow, bend the elbows, bring the backs of the hands together, then slide the palms of the hands together. If that is not available yet, use a belt and pull the hands apart while holding the belt.

The pictures below on the left show alignment mistakes; the photo on the right shows correct alignment for the pose.

Do not twist the hands – keep the pinkies away from from you and thumbs towards you (upper left). Do not fold your hands on top of each other (lower left). Keep wrists and fingers straight (right).

Raise the elbows, move the hands away from the face, and drop the shoulders. Round the spine and widen the space between the shoulder blades as you bend forward.

Experiment with bending more or less at the spine to find the most effective variation of the pose for you.

Gomukhasana arms: Bring one arm across the lower back, then bring the hand of the arm up between the shoulder blades. Bring the other arm up and back to meet the fingers of the lower arm, or use a belt. NB: keep the elbow of the upper arm “hugging” the ear – not out to the side – to allow the shoulder blade to drop.

Breathe space into the shoulders as you engage in this asana.

You may or may not bend forward, depending on the intensity of the pose for you.

Keep the back fairly straight, not deliberately rounded.

Thursday only: Uttanasana, single arm binds: take the legs mat-width apart, bend down then slide one arm under the leg. Keep the back of the hand towards the thigh. Other arm goes behind the back and binds with the first hand, or use a belt.

Straighten the legs to the best of your ability.

Half dog prep —> half dog: For a full description of how to properly engage with these asanas, refer to the full post from January, 2018.

Starting position for half dog pose
Half dog with bent knees

Thursday only: Extended side angle w/bind: Feet are in warrior II position, arm wraps around inside of bent, front leg.

Bring the head in line over the front foot – this will automatically align the hips. Keep heel of straight leg well grounded.

Thursday only: Upward plank: To counteract the above poses, take a seat, straighten the legs, flex the feet, position the hands behind you, then lift the hips up. Keep the insides of the legs zipped together and use your core and breath, instead of your glutes.

Upward table top variation is in top photograph. This is a good pose to practice if your neck tends towards stiffness, instead of the full upward plank.

Block between shoulder blades: Sit down first, then place the block on the ground behind you – trying to hold the block in place and lying down does not work. Believe me, I have tried it 😉 The top edge of the block supports the very bottom of the skull, giving the neck support and a little traction. Give yourself a big hug to open the shoulder blades wide, then open arms into “cactus arms,” keeping the elbows either at the same height, or higher than the wrists. Keep the wrists straight in line with the forearm, not “broken” back.

Photo on left shows where the block ought to be positioned once one is lying down. One can lift the hips to really wedge the block into the tight and held muscles between the shoulders.
Play with arm positions and see what feels like it gives you the most release. Keep the lower back relaxed at all times.

Finally, end with savansana, or lie over a bolster down your spine, and savor the release in your shoulders.

Happy practicing! 🙂

~namaste,

Sylvia

Downward facing dog preparation

Downward facing dog pose, adho muka svanasana, is one of the most common poses in yoga practice, yet it is also commonly practiced out of alignment. Not only will the misaligned student not benefit from this spine-lengthening, invigorating, heart pose, but s/he may also damage the shoulders.

Last week’s post focused on the half-dog pose, which prepares the  yoga student with correct alignment for the full downward facing dog. This week, we add one more alignment tool, the block between the elbows, before taking the pose into its full expression.

Practice: 

Continuing the work on the forearms, place the block between the elbows, rather than between the hands; knees are on the ground under the hips. Align the lower arms in the same way as for half dog – be especially aware of not placing the hands too close to each other, thereby holding the block up by triangulating the forearms when you are asked to pick it up off the floor.

Block between the elbows – note that the lower arms are no closer than the elbows

Squeeze the block using the elbows, draw the shoulder blades down the spine, and lift the block off the floor while keeping the knees on the ground; engage your core to prevent the lower back from sagging. Notice whether you are engaging the muscles just below the shoulder blades – this is good!

Lift the block using the elbows
Side view of lifting the block – never mind the slippers! 🙂

Continue to practice the above until you can hold the block up and take your knees off the ground, keeping them bent. Shift the shoulders and hips back and keep the abdominals strong.

Block between elbows, knees off the ground – keep the knees bent

The block between the elbows teaches us to externally rotate the upper arm bones, widen the collar bones and to organize the back muscles to flatten the shoulder blades against the back. Informed by the way you used your muscles when holding the block between the elbows, imagine that it’s there, but take the full downward facing dog pose (think: upside down V) – start with knees bent, and straighten the legs only to the point where you are able to maintain the arm alignment, a straight back, and lifted seat bones. If you cannot maintain this alignment with legs straight, then keep them bent – daily practice will eventually allow the legs to straighten.

Downward facing dog pose – start with knees bent, moving belly towards thighs while maintaining the shoulder and arm alignment.

Comments or questions? Write them below!

Happy practicing & namaste,

Sylvia

Half dog and variations – great, big shoulder stretches!

The half-dog pose preparation and the pose itself are wonderful shoulder stretches – when done in proper alignment. I cannot emphasize the importance of alignment enough for these poses: if practiced incorrectly, a student can not only tighten the shoulders more, but also damage his/her shoulder tendons and ligaments. Below are some tips on how to practice this excellent pose.

Starting position: on hands and knees, block lengthwise between thumb and index finger (which form an “L” around the block). Elbows no wider than shoulders (hedge your bets on the narrower side), lower arms parallel to each other.

Starting position for half dog pose

Detail of arm position: Correct position is when the middle finger of hand is in line with the middle of the elbow – imagine drawing a straight line from middle finger to elbow (“YES” picture). Incorrect positions (“NO” pictures) show hands holding block, elbows too wide, and hands out of alignment with elbows – all of which will put extra pressure on shoulders and cause problems.

Details of correct and incorrect arm alignment for half dog

Half-dog prep: appropriate as a starting point and offering many people plenty of shoulder stretching action. Move knees back about 6 inches, then shift hips back just beyond the vertical line behind the hips – as though you were going to sit on your heels, but the knees are too far back for you to do that. This will also pull the shoulders behind the vertical line of the elbows – how far you can go will depend on the flexibility of your shoulders. Allow forehead to come to floor, or put a folded towel under forehead if it does not readily go to the floor. Engage your abdominal muscles, so that the lower back does not sag down/do all the work. Focus your attention on the sternum (breast bone) moving towards the floor (it will not go to the floor, but this action will encourage your mid-spine to extend). Notice whether one shoulder feels tighter than the other.

Half dog prep

Half dog: From half dog prep, curl toes under and lift knees off floor, hips up. Head will not be on the floor, but neck will be relaxed/long. Begin by keeping knees slightly bent. Focus on keeping weight on the index finger and thumb of both hands and the inner wrists, and do not allow the elbows to move out wider under any circumstances (come down and readjust if they do slip). Think of bringing belly towards the thighs, while keeping abdominal muscles engaged so that lower back does not sag. If possible for you without too much strain (think of staying in an intensity level of 7 or 8/10), straighten the legs and work to stretch the heels down to the floor. Repeat 2-3 times, breathing well, 5-15 breaths at a time (length of time you can  stay up comfortably will depend on the openness of the shoulders).

Half dog with bent knees
Half dog

Variations for greater shoulder stretching action: Begin in starting position, but curl chin into chest, and place crown of head on the floor between and as far behind the elbows as possible. Same alignment cues as for half dog prep apply: do not allow elbows to splay out or hands to come together.

Variation with crown of head on floor

If the first variation feels good, then try lifting the knees off the floor while keeping the crown of the head on the floor. Do not, under any circumstances, try to come up if your head is ahead of the elbows – it must be behind the elbows for this pose to be helpful.

Half dog variation with head on floor

Remember, these poses must be done in proper alignment, i.e., without the forearms moving from parallel to each other, for them to be effective and not cause problems, rather than ease, in the shoulders.

Happy practicing! 🙂

~namaste, Sylvia